. . . For the past two years my work, painting in particular, has been focused on the natural phenomenon of light and the mysterious, elusive moods that define the atmospheric qualities of the northern California coastal environment. Images sometimes incorporate a second layer of suggestion and meaning through the presence of island forms and sand spits, which seem to appear on the horizon. These secondary forms, partially hidden in atmospheric veils, suggest thoughts of a distant landscape, lost in mist and time, inhabited by unknown peoples who live at the edge of the world. . . . A complement to these vast landscapes and beach environments are images more carefully executed and highly focused in drawings and prints suggesting organic forms of rocks, plants, sand pools, logs, and bull kelp washed up by the tides. These images, unlike the larger works, are highly specific. Often these rendered observations employ a fine, distinct line which reveals the impact of the burnished graphic qualities of the materials used to produce them: the gravers, etching needles, and copper plates. Abstract tone and texture from overlaid aquatints synthesize the intricate definition of the scribed line with soft, washy tonal transitions – together creating an atmosphere that enriches the prints and comments on and reflects the mysterious, inexplicable qualities of the larger environment which contains the image. . . . I hope my work provides the viewer with a quiet, contemplative focus, transcending literal interpretations of the natural environment. I want my work to express an appreciation for the subtle wonders of color, atmosphere, line, and pattern in the landscape that will cause the viewer to pause and consider the value, strength, and importance of the natural world. |